
For a more vintage feel, check out the Vineland Drive-in in City of Industry, which has been operating for more than six decades. The theater was bought and refurbished by Disney subsidiary Buena Vista Pictures Distribution in the 1990s. Its family-friendly screenings frequently include appearances by costumed characters. FRANCOIS GHEBALY2245 E Washington Blvd, Los Angeles, CAFounded in 2009, the gallery has built an impressive roster of both Los Angeles and international talent as well as additional locations in Hollywood and downtown New York. THE PIT918 Ruberta Ave, Glendale, CAFounded in 2014 by artists Adam D. Miller and Devon Oder. The Pit's LA gallery is housed in a former mechanic's shop in Glendale, with another location in Palm Springs.
Downtown Independent
Bursts of hot pink and apple green energize Steven Cordrey’s design for the home’s veranda. Hand-beaded light fixtures illuminate the seating areas, which feature tables and chairs from Janus et Cie’s Amalfi Coast outdoor collection. Below, tour the inspiring rooms and outdoor spaces of the 2024 Pasadena Showcase House of Design. Since its opening, LHT has produced over 135 plays and musicals from the classics to experimental works. Continuing on Hansberry’s values for inclusivity, LHT prioritizes the work of Black and femme-identifying playwrights. Karamu in Swahili means “a place for joyful meeting,” a name that has been effortlessly embodied in the work of the theatre.

Alamo Drafthouse Cinema — Downtown Los Angeles
Theatre and performance is a cathartic escape for everyone, but Black Americans were not always included fairly in that vision. Since the early 19th century, Black people were impersonated by white performers on stage through racist stereotypes in vaudeville and minstrel shows, creating offensive caricatures of Black people using blackface for the enjoyment of white audiences. For those in search of a more interactive moviegoing experience, the theater also hots special screenings at which costumes and “rowdy” behavior are encouraged. Texas-based movie theater chain Alamo Drafthouse opened a long-awaited Downtown LA outpost earlier this year. Already the venue is one of the very best places to do dinner and a movie at the same time. From the theater’s comfortable seats, you can place food and drink orders that waiters will unobtrusively bring to you during the film.
The Vista Theatre
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An office space in the Gatehouse is now a soothing spa-inspired lounge designed by Margaret Lalikian. The designer referenced the house’s original name, El Robles—Spanish for oak tree—with a tree-filled landscape mural by Arpy Dabbaghian. “For the wall mural, I had to pick something to bring them into nature and a calming environment,” Lalikian says.
Two of Dallas’ leading avant-garde theater companies, located a few blocks from each other east of downtown, are opening productions of dramas created millennia apart. Maria Videla-Juniel turned the primary bath into a sumptuous retreat with hues of soft blue and brown. Thibaut wall coverings and fabrics were used for the walls and windows, and the elegant shagreen-covered vanities are accented with gleaming fixtures by P.E.
Wallis Annenberg Center for the Performing Arts
The El Capitan often gets overshadowed by the Chinese Theatre across the street, but this little venue is impressive in its own right. Also opened by Sid Grauman, the theater was designed by Morgan, Walls, and Clements—the firm behind several other LA landmarks, including the Wiltern. It originally served as a live theater venue, but deserves a place on any list of historic movie theaters as the place where Citizen Kane made its world premiere in 1941. This 1930's warehouse-turned-theater (complete with an exposed beam ceiling, swoon) hosts performances of all kinds, including music, theater, dance and film. Indie rock bands and local talent are often on tap here, and it's one of the best small music venues on the Eastside.
Highland Theatre
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If you’re looking for a truly swanky experience, look no further than Foreign Cinema. The venue screens stellar independent films while operating as a gourmet restaurant. Arrive early and dine on oysters, charcuterie boards, and rare ahi tuna before washing your meal down with a glass of champagne and heading inside the theater. With two large auditoriums screening the latest and greatest independent films, Opera Plaza Cinema is a no-brainer for your next arthouse binge. Additionally, the theater is within close distance to San Francisco’s Civic Center, Davies Symphony Hall, and City Hall if you’re in the mood for a bit of sightseeing before the show.
NoHo News
With the rise of Black Nationalism in the 1970s, the theatre decided to focus its storytelling around the Black experience in America. Operated by American Cinematheque, which also manages the Egyptian, the Aero plays a similar mix of restored classics. The theater was developed by the Douglas Aircraft Company as part of a larger commercial development built to serve employees of the company’s Santa Monica factory.
Kirk Douglas Theatre
The company offers a mix of new work and local premieres, frequently with big-name (though sometimes second-tier) Hollywood talent. Special nights include Wine Down Sundays, Lounge Fridays and Talk Back Tuesdays, where a special drinks or coffee reception is held before the performance. For a bedroom off the nursery, Carmine Sabatella wanted to create a jewel-toned escape. “I thought, if somebody’s taking care of the baby, they have a space where they can come and feel like it’s a retreat,” Sabatella says. The designer outfitted a door handcrafted in India with a vintage mirror to create a one of a kind headboard and bathed the space in deep emerald green.
The theater underwent a massive renovation in 1998 and today hosts screenings of classic films and talks by prominent filmmakers and actors. Today, the theatre still plays host to regular red carpet premieres, while drawing countless tourists to its famous forecourt featuring the handprints and footprints of Hollywood icons. Visitors who choose to stay for a showing might be surprised to discover the Chinese still offers a viewing experience that's hard to beat. Renovated in 2013 by new owner TCL, the main screening room now boasts a massive 94-by-46-foot screen and stadium seating, along with all the decorative flourish for which Grauman was known.
This city-owned, four-theater complex is housed in a former bank close to Skid Row in Downtown, and can be one of the city's most exciting venues. Karen Hasashya the CEO of Timeless Arts, echoed these sentiments, emphasizing the transformative impact of collaboration in the creative industry. She also spoke to giving back and how instrumental the proceeds from the play will go into be supporting the cause of special intellectual disabilities. In fact, Rankin sees some key links between Alys and Sally—namely, their prophetic tendencies.
Fiorello La Guardia, who would later become New York City’s Mayor, campaigned against burlesque and the Hurtig and Seamon’s New Burlesque Theater would later shut down as a result. The theatre was later reopened as the 125th Street Apollo Theatre by Sidney Cohen and Morris Sussman in 1934. The pair rebranded the venue to focus on variety shows and wanted to reach the growing Black community in Harlem. With our state of the art digital sound system and projection, our equipment is second to none in Long Beach. You'll find frequent guest speakers and rotating displays of costumes and movie memorabilia at this Westside destination, where movies often play weeks prior to their national release dates.
Perhaps Rankin feels Sally Bowles is a prophet because she is a woman who feels just as present in 1930 Weimar Germany as she does in 2024 New York City. "I feel honored to be working on a piece of art that is the conversation with the world," she says. For her own Sally, she drew from inspirations she's keeping private, but also a few she shares—including Sinead O'Connor, silent movie star Anita Berber, Dolores O'Riordan, Joan of Arc, Marlene Dumas paintings, and Louise Brooks, among others. Samatha Williams’s Tearoom in the Gatehouse is brimming with vintage charm and elegant accents. Working with Jacqueline Black and Michelle Porreca, Williams brought in a Chinoiserie wall covering to give the space a garden-like atmosphere.
Maria Videla-Juniel, who designed the primary bathroom of the main house, also devised a welcoming entry to the Gate House. A Thibault wall covering graces the entry, and a Fibreworks runner leads guests up the stairs. The designers worked with a color palette of Dunn-Edwards paints, and several chose to highlight the brand’s 2024 Color of the Year, a steely blue called Skipping Stones. Nods to Pasadena’s famous peacocks can be found throughout the designs, and many creators fearlessly brought in statement floors, enveloped their spaces with jewel tones, and added texture to ceilings. Others focused on bringing the beauty of the estate’s gardens and views inside with verdant murals, floral fabrics, and nature-inspired lighting.
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